Showing posts with label Marketing. Show all posts
Showing posts with label Marketing. Show all posts

Friday, 12 June 2009

Finding Marketing Partners

If you're a regular visitor to my blog, you'll realise that not only do I love to take photographs, I also love to gleam nuggets of information that will help me to evolve as a better photographer and businessman. Larry Becker from NAPP has come up with a great post today which deals with finding marketing partners. I thoroughly enjoyed his post and will be utilising some of his ideas in my business strategy. The full post is below.

Finding Marketing Partners

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I’m gonna tackle a real world, street-smart marketing idea. Finding marketing partners.

Keep in mind, I’m not talking about “investing” in the right advertising vehicle. I just mean, start thinking about how you can advertise or market, using strategic partners. Start by thinking about what kind of business already reaches one or more of your target markets, and then see if you can get them to tell their customers about you. There are dozens and dozens of business models in freelance design and photography that come to mind, but there’s no way I could cover them all. So you need to be open-minded. Use these suggestions as a tool to get you started thinking about your own situation, and feel free to share your own examples in the comments.

I know this article is supposed to be about designers and photographers, but let me tell you about a florist. In the early days of the commercialization of the web, local florists were some of the hardest-hit. It was difficult to have an amazing web site that could compete with all the other florists out there (especially the big, national companies), but every business needs a web presence. One particular flower shop owner wanted to not only have a web site, he wanted to use his site to get business, but he couldn’t afford to advertise his web site on national TV or pay web programmers to make his site bigger and better than the national flower vendors. He started to think about customers who typically came into his store to buy flowers. His assessment was that it was mostly college educated people, generally more men that women, and people with a better than average income. Right or wrong he thought attorneys, as a group, seemed like his target market. So when some of his attorney customers came by his shop, he asked if there were any web sites attorneys visited regularly. Eventually he settled on a site that was for the legal profession only, and it even required a membership fee to join. He approached the owners of that site and proposed tasteful banner ads (they had no advertising posted yet) which were very conservative looking in a manner consistent with the site, and he proposed a small fee he could pay to have his ads posted. The site owners were open to the idea as a test of a possible new revenue stream, and he was the only advertiser so he liked having a ‘captive’ audience. The agreement was a huge success and the florist did more business than he had ever done before!

So who is already reaching your target market? You need to look for marketing partners with whom you can trade prospects or customers, or someone who would benefit from telling their customers about your services.

I know someone who is a child portrait photographer. She approaches department stores (the ones without their own photo studio) that have a children’s department, or which are stand alone children’s clothing stores, and arranges to have posters placed around the store for two weeks, which advertise an upcoming photography session at the store. She has a sign up sheet at the register for people to make appointments, and she takes appointments over the phone or on the web (phone numbers and the web address are on the posters). As well, she has small pamphlet at the cash register that tells all about the photo shoot, the company, web site, etc. and a blank to write down your appointment. It’s great for her, but how does this help the store? Even if there’s no financial trade, it means that everyone who signs up is guaranteed to return to the store in a couple weeks to have photos taken (and maybe shop a little more too). It gives the store an ‘event’ they can advertise and the posters attract attention because they’re different. On the day of the event, there’s a line, and everyone knows, nothing draws a crowd like a crowd! - When it comes to improving on this basic model, the possibilities are endless. The photographer could let the store give away coupons for a free 8×10 to anyone who spends $50 or more in the store. The photographer could give a cash reward to the department store clerk who signs up the most appointments. And don’t forget, the photographer doesn’t mail the finished prints unless the customer pays extra. Instead, customers can come back to the store again to pick up their prints at no additional charge (and the store loves that).

What if you just want to get your images in front of people. Where can you go? Well the first, most obvious place is a frame shop or a gallery. But everybody thinks of those places. I’m not suggesting that you don’t bother trying to get your work featured there, but don’t give up if they say no. Move on to all kinds of businesses that have high traffic. Is there a restaurant where you could post your work with a small brass plaque? Don’t bother with the big national chains because they have strict rules about what can be on their walls, but try local, popular restaurants. Besides the plaque, be sure every server in the restaurant has access to your brochures, so if a customer comments about a beautiful photo hanging on the wall, the server can say, “Oh, yes. And they’re not only from a local artist, but you can buy them. I’ll get you a brochure with all the information and a discount code so you can get any one of these images (or others posted at the web site) and save 20%. That way you can track where the referrals come from (by the discount code) and you can reward the server (your ad-hoc sales person) for the referral.

Do you create beautiful art prints? Do you have a style a designer might appreciate? Try working with local designers. Once they’re familiar with your work, they might suggest it for placement in a home they’re working on. Do what you can to make it easy for them. If you can afford it, loan them a dozen canvases of your work (the images they told you they liked best) so they can have some canvas wraps on hand to use in putting together a particular room.

What about furniture stores? Consider offering to loan your work to be hung in local furniture showrooms. Again, work with them to meet their needs. Do they have a group they want to show off in a particular way? Offer to create a custom image (possibly featuring a locally popular landmark) in exactly the color scheme/size they need. But step up the service you can provide. People come into furniture stores looking at couches and chairs, and the salesperson usually whips out a swatch book to show them all the colors and fabrics they could choose.

Here’s a neat idea. I have never heard of anyone doing it, but imagine if you were the featured photographer/artist for every single image on the walls of the local furniture showroom. Then (assuming you’re good at Photoshop) you could offer to recreate any image to match any furniture color the customer selects. The customer could receive a scaled down, ’soft proof’ sent by computer so they could see the color change and buy artwork that matches their furniture perfectly!

So maybe you think some of these suggestions are over the top. Maybe you think these things would never work. I promise you this, if you don’t try it (or try something creative) then nothing will change. Get out there and try something. Think about who else serves your target market but doesn’t compete directly with you, and then come up with a way to make it worthwhile for them to help you market to their audience. Are you willing to try something new?

Thursday, 11 June 2009

Promoting Your Photography Business

Another great post from fashion photographer Melissa Rodwell.  I posted part one of this three part series dedicated to the business of photography last week.   This is part two and concentrates on your portfolio and marketing.  Melissa has written some sound advice here which holds true, no matter what photography business you run.  If you are serious about your business then this is a must read!!  

The photograph below is by Vincent Peters, click the link here to see his stunning and inspirational portfolio.

Part Two in the Three Part Series on
The Business of Fashion Photography

Vincent PetersImage by Vincent Peters

Last week we talked about the reality of the business and how to prepare yourself for the serious world that it truly is. I spoke of establishing your identity and your style. I wrote about how agents and clients take work in their best interest and so should you. And how believing in the value and worth of your work is tantamount to your success in the business. Today I’m going to address your portfolios and marketing yourself. In today’s age, the internet is a heavily relied on source for marketing. What does that mean? You not only have to have a physical presence with your work, you must have a web presence as well. Which means, you need a website. If you are sending your potential clients to a site that holds your body of work, like Flickr, you will not be taken seriously. Not to bash Flickr entirely, it’s a good platform to start on, but you don’t want to market yourself from there. Flickr is not recognized by agencies and clients as a reliable source for talented and dependable photographers. It’s deemed “amateur” and thus you will be perceived as one, even if your work is outstanding. The sad part about that, is what I said in the previous post: The Level you go into an agency is the level you will stay at. And what did I say about perception? Right. So listen, you don’t have to take my word as the absolute truth…I’ve just been in the business for a long time and these tips are tried and true.

You need a portfolio.  Here are some tips with your portfolio:

  • Your portfolio should be an extension of your personality. Again, identity and branding are so important here.
  • If you have 10 great shots and 10 mediocre shots, only show the 10 great ones. Believe me, they only remember you by your mediocre shots. In other words, less is more here.
  • Show a cohesive body of work. It should have a style. Your style. Find and then show it off.
  • Make sure it flows. Sequencing and color flow is so important.

Before you start with a book, you need a logo. You need to brand yourself. And this is where you can’t afford to cut corners and avoid costs. Hire a graphic designer to design your logo and business card. Use the logo on all promos and web presence, even email presence. It establishes who you are. The agencies may not remember your images, sorry to say, but when they see your logo over and over, they will start to become familiar your identity. Did you know that it takes 7 exposures before someone remembers you?? So consistency is very important. In a week or two, I am going to post some really great information on companies now that offer flash websites to photographers so you can get yourself a beautiful site and you can manage all the content yourself! That’s right…no more hiring overpriced and arrogant web designers who not only charge you through the roof for a site, but then are difficult to communicate with in the entire process. I swear to God at this exact moment I am willing to bet that 150 photographers across our planet are complaining right now about their web designer. They don’t take your calls or answer your emails when you’ve been asking them for three weeks to update your site, then they want to charge you for doing the work. It’s endless and they’re a pain. So get a website from one of the few places like viewbook.com or dripbook.com. They’re competitive in price and it’s so easy to maintain and update your own site. And it’s in your own domain as well. More on that later, but same rules do apply with that site. Logo needs to be present, your 10 best images as opposed to 20 half great half okay, and consistency and flow is equally as important on your “digital portfolio”.

Here’s some tips on marketing:

  • Email marketing works on name recognition but not with strangers. Can you imagine how many emails art directors and editors get a day? They don’t have time to go through all of them. Yours probably won’t get opened if they don’t recognize your name.
  • Promo pieces are still the way to go. It should contain 3 to 5 images and shouldn’t be over the size of 5 X 7. Your images should show your style and be consistent with each other. Your logo should be on it as well.
  • Know your audience. Don’t blanket your promo cards everywhere. If you want to shoot fashion, find the art buyers who work on fashion campaigns and the editors that work in the fashion editorial world. If your style is high fashion, don’t send your promo card to Family Circle Magazine. You’re wasting their time and yours.
  • Come up with a game plan: target your audience and then be consistent with your promo piece. Remember the 7 times exposure rule: you need to update them with a new recognizable promo piece often and consistently.

And a few words about source books:

  • They’re not as relevant as they used to be.
  • Do your research on what source books work for your market. For instance, Workbook works well in Chicago but not other regions.
  • Never buy a single page. You don’t want to be placed next to a photographer whose work brings your work down.
  • Again, hire and use a good designer to do your layout.
  • Always convey a clear image of what it is you do! High fashion, beauty, lifestyle? What is YOUR style.
  • I went with At-Edge because of it’s exclusivity. I want to be in the source book that carries a  lot of clout. I also liked the fact that they invite the photographer, so not every one qualifies. It keeps me in a good class of photographers. Other source books works well for different needs and what level you are in the business. Obviously, At-Edge is for a photographer who is very established. There are other source books that aren’t as expensive and not as exclusive.

Source books are pricey. Look, it’s ALL pricey. Updating your website, printing for your portfolio, printing new promo cards every two months, advertising yourself in a source book…….it ADDS up! I don’t want to overwhelm you with too much information. This doesn’t have to be done overnight so don’t get frustrated! These are tips you can come back to when you’re ready to take on the next hurdle in marketing and promoting yourself.

Next week we’ll fiinish the 3 part series on Negotiating and Estimating. Its where we will apply the idea of valuing your work and worth after you’ve successfully promoted yourself and caught the eye of a client!